Post Production
From editing, to color grading and sound mastering, our post production facilities will take your project across the finish line.
Editing, Color Grading, Mastering
Pristine, 16-bit color and 24-bit audio pipelines at your disposal.
For in-house productions, our workflow is based on the extremely robust REDCODE RAW and PRORES RAW codecs, allowing for full quality, 12 to 16 bits color, native 4k/5k/6k resolution editing and finishing.
EDITING: our online and offline edit suites are built around Final Cut Pro X on the Mac.
COLOR TIMING: we use Red Cine-X Pro and its seamless integration on the editing timeline, or round-trip to/fro Da Vinci Resolve. Adding special effects via secondary color grading and film emulation, the possibilities are endless.
AUDIO RECORDING, MIXING and MASTERING: we provide multitrack recording and mixing, in the studio (voiceovers) or on location, up to 24 bits / 192 kHz, running on either one of our two platforms of choice: Avid's Protools or Apple Logic Pro X.
AUDIO MASTERING
Fully automated. All digital audio pipeline.
“Editing is where movies are made or broken.”
— Joe Dante
How we do it:
Studio (full resolution) and on-location (proxy) editing options, up to 6K native.
Redcode and PRORES Raw optimized pipeline.
LUT management and full-quality color timing on Final Cut Pro and Da Vinci Resolve.
Localization services including translations, audio dubbing and subtitling.
Soundproof booth for VoiceOver recordings.
Stereo, 5.1 and 7.1 Surround Sound finishing options (audio mastering).
4K and HD Blu-ray Disc authoring available.
All modern codecs supported for encoding masters for digital delivery.